The Celts - TREE AND PLANT WORSHIP

The Celts had their own cult of trees, but they adopted local cults—Ligurian, Iberian, and others. The Fagus Deus (the divine beech), the Sex arbor or Sex arbores of Pyrenean inscriptions, and an anonymous god represented by a conifer on an altar at Toulouse, probably point to local Ligurian tree cults continued by the Celts into Roman times.659 Forests were also personified or ruled by a single goddess, like Dea Arduinna of the Ardennes and Dea Abnoba of the Black Forest.660 But more primitive ideas prevailed, like that which assigned a whole class of tree-divinities to a forest, e.g. the Fatæ Dervones, spirits of the oak-woods of Northern Italy.661 Groups of trees like Sex arbores were venerated, perhaps for their height, isolation, or some other peculiarity.

The Celts made their sacred places in dark groves, the trees being hung with offerings or with the heads of victims. Human sacrifices were hung or impaled on trees, e.g. by the warriors of Boudicca.662 These, like the offerings still placed by the folk on sacred trees, were attached to them because the trees were the abode of spirits or divinities who in many cases had power over vegetation.

Pliny said of the Celts: "They esteem nothing more sacred {199} than the mistletoe and the tree on which it grows. But apart from this they choose oak-woods for their sacred groves, and perform no sacred rite without using oak branches."663 Maximus of Tyre also speaks of the Celtic (? German) image of Zeus as a lofty oak, and an old Irish glossary gives daur, "oak," as an early Irish name for "god," and glosses it by dia, "god."664 The sacred need-fire may have been obtained by friction from oak-wood, and it is because of the old sacredness of the oak that a piece of its wood is still used as a talisman in Brittany.665 Other Aryan folk besides the Celts regarded the oak as the symbol of a high god, of the sun or the sky,666 but probably this was not its earliest significance. Oak forests were once more extensive over Europe than they are now, and the old tradition that men once lived on acorns has been shown to be well-founded by the witness of archæological finds, e.g. in Northern Italy.667 A people living in an oak region and subsisting in part on acorns might easily take the oak as a representative of the spirit of vegetation or growth. It was long-lived, its foliage was a protection, it supplied food, its wood was used as fuel, and it was thus clearly the friend of man. For these reasons, and because it was the most abiding and living thing men knew, it became the embodiment of the spirits of life and growth. Folk-lore survivals show that the spirit of vegetation in the shape of his representative was annually slain while yet in full vigour, that his life might benefit all things and be passed on undiminished to his successor.668 Hence the oak or a {200} human being representing the spirit of vegetation, or both together, were burned in the Midsummer fires. How, then, did the oak come to symbolise a god equated with Zeus. Though the equation may be worthless, it is possible that the connection lay in the fact that Zeus and Juppiter had agricultural functions, or that, when the equation was made, the earlier spirit of vegetation had become a divinity with functions resembling those of Zeus. The fires were kindled to recruit the sun's life; they were fed with oak-wood, and in them an oak or a human victim representing the spirit embodied in the oak was burned. Hence it may have been thought that the sun was strengthened by the fire residing in the sacred oak; it was thus "the original storehouse or reservoir of the fire which was from time to time drawn out to feed the sun."669 The oak thus became the symbol of a bright god also connected with growth. But, to judge by folk survivals, the older conception still remained potent, and tree or human victim affected for good all vegetable growth as well as man's life, while at the same time the fire strengthened the sun.

Dr. Evans argues that "the original holy object within the central triliths of Stonehenge was a sacred tree," an oak, image of the Celtic Zeus. The tree and the stones, once associated with ancestor worship, had become symbols of "a more celestial Spirit or Spirits than those of departed human beings."670 But Stonehenge has now been proved to have been in existence before the arrival of the Celts, hence such a cult must have been pre-Celtic, though it may quite well have been adopted by the Celts. Whether this hypothetical cult was practised by a tribe, a group of tribes, or by the whole people, must remain obscure, and, indeed, it may well be questioned whether Stonehenge was ever more than the scene of some ancestral rites.

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Other trees—the yew, the cypress, the alder, and the ash, were venerated, to judge by what Lucan relates of the sacred grove at Marseilles. The Irish Druids attributed special virtues to the hazel, rowan, and yew, the wood of which was used in magical ceremonies described in Irish texts.671 Fires of rowan were lit by the Druids of rival armies, and incantations said over them in order to discomfit the opposing host,672 and the wood of all these trees is still believed to be efficacious against fairies and witches.

The Irish bile was a sacred tree, of great age, growing over a holy well or fort. Five of them are described in the Dindsenchas, and one was an oak, which not only yielded acorns, but nuts and apples.673 The mythic trees of Elysium had the same varied fruitage, and the reason in both cases is perhaps the fact that when the cultivated apple took the place of acorns and nuts as a food staple, words signifying "nut" or "acorn" were transferred to the apple. A myth of trees on which all these fruits grew might then easily arise. Another Irish bile was a yew described in a poem as "a firm strong god," while such phrases in this poem as "word-pure man," "judgment of origin," "spell of knowledge," may have some reference to the custom of writing divinations in ogham on rods of yew. The other bile were ash-trees, and from one of them the Fir Bile, "men of the tree," were named—perhaps a totem-clan.674 The lives of kings and chiefs appear to have been connected with these trees, probably as representatives of the spirit of vegetation embodied in the tree, and under their shadow they were inaugurated. But as a substitute for the king was slain, so doubtless these pre-eminent sacred trees were too sacred, too much charged with supernatural force, to {202} be cut down and burned, and the yearly ritual would be performed with another tree. But in time of feud one tribe gloried in destroying the bile of another; and even in the tenth century, when the bile maighe Adair was destroyed by Maelocohlen the act was regarded with horror. "But, O reader, this deed did not pass unpunished."675 Of another bile, that of Borrisokane, it was said that any house in which a fragment of it was burned would itself be destroyed by fire.676

Tribal and personal names point to belief in descent from tree gods or spirits and perhaps to totemism. The Eburones were the yew-tree tribe (eburos); the Bituriges perhaps had the mistletoe for their symbol, and their surname Vivisci implies that they were called "Mistletoe men."677 If bile (tree) is connected with the name Bile, that of the ancestor of the Milesians, this may point to some myth of descent from a sacred tree, as in the case of the Fir Bile, or "men of the tree."678 Other names like Guidgen (Viduo-genos, "son of the tree"), Dergen (Dervo-genos, "son of the oak"), Guerngen (Verno-genos, "son of the alder"), imply filiation to a tree. Though these names became conventional, they express what had once been a living belief. Names borrowed directly from trees are also found—-Eburos or Ebur, "yew," Derua or Deruacus, "oak," etc.

The veneration of trees growing beside burial mounds or megalithic monuments was probably a pre-Celtic cult continued by the Celts. The tree embodied the ghost of the person buried under it, but such a ghost could then hardly be differentiated from a tree spirit or divinity. Even now in Celtic districts extreme veneration exists for trees growing in cemeteries and in other places. It is dangerous to cut them {203} down or to pluck a leaf or branch from them, while in Breton churchyards the yew is thought to spread a root to the mouth of each corpse.679 The story of the grave of Cyperissa, daughter of a Celtic king in the Danube region, from which first sprang the "mournful cypress,"680 is connected with universal legends of trees growing from the graves of lovers until their branches intertwine. These embody the belief that the spirit of the dead is in the tree, which was thus in all likelihood the object of a cult. Instances of these legends occur in Celtic story. Yew-stakes driven through the bodies of Naisi and Deirdre to keep them apart, became yew-trees the tops of which embraced over Armagh Cathedral. A yew sprang from the grave of Bailé Mac Buain, and an apple-tree from that of his lover Aillinn, and the top of each had the form of their heads.681 The identification of tree and ghost is here complete.

The elder, rowan, and thorn are still planted round houses to keep off witches, or sprigs of rowan are placed over doorways—a survival from the time when they were believed to be tenanted by a beneficent spirit hostile to evil influences. In Ireland and the Isle of Man the thorn is thought to be the resort of fairies, and they, like the woodland fairies or "wood men" are probably representatives of the older tree spirits and gods of groves and forests.682

Tree-worship was rooted in the oldest nature worship, and the Church had the utmost difficulty in suppressing it. Councils fulminated against the cult of trees, against offerings to them or the placing of lights before them and before wells {204} or stones, and against the belief that certain trees were too sacred to be cut down or burned. Heavy fines were levied against those who practised these rites, yet still they continued.683 Amator, Bishop of Auxerre, tried to stop the worship of a large pear-tree standing in the centre of the town and on which the semi-Christian inhabitants hung animals' heads with much ribaldry. At last S. Germanus destroyed it, but at the risk of his life. S. Martin of Tours was allowed to destroy a temple, but the people would not permit him to attack a much venerated pine-tree which stood beside it—an excellent example of the way in which the more official paganism fell before Christianity, while the older religion of the soil, from which it sprang, could not be entirely eradicated.684 The Church often effected a compromise. Images of the gods affixed to trees were replaced by those of the Virgin, but with curious results. Legends arose telling how the faithful had been led to such trees and there discovered the image of the Madonna miraculously placed among the branches.685 These are analogous to the legends of the discovery of images of the Virgin in the earth, such images being really those of the Matres.

Representations of sacred trees are occasionally met with on coins, altars, and ex votos.686 If the interpretation be correct which sees a representation of part of the Cúchulainn legend on the Paris and Trèves altars, the trees figured there would not necessarily be sacred. But otherwise they may depict sacred trees.

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We now turn to Pliny's account of the mistletoe rite. The Druids held nothing more sacred than this plant and the tree on which it grew, probably an oak. Of it groves were formed, while branches of the oak were used in all religious rites. Everything growing on the oak had been sent from heaven, and the presence of the mistletoe showed that God had selected the tree for especial favour. Rare as it was, when found the mistletoe was the object of a careful ritual. On the sixth day of the moon it was culled. Preparations for a sacrifice and feast were made beneath the tree, and two white bulls whose horns had never been bound were brought there. A Druid, clad in white, ascended the tree and cut the mistletoe with a golden sickle. As it fell it was caught in a white cloth; the bulls were then sacrificed, and prayer was made that God would make His gift prosperous to those on whom He had bestowed it. The mistletoe was called "the universal healer," and a potion made from it caused barren animals to be fruitful. It was also a remedy against all poisons.687 We can hardly believe that such an elaborate ritual merely led up to the medico-magical use of the mistletoe. Possibly, of course, the rite was an attenuated survival of something which had once been more important, but it is more likely that Pliny gives only a few picturesque details and passes by the rationale of the ritual. He does not tell us who the "God" of whom he speaks was, perhaps the sun-god or the god of vegetation. As to the "gift," it was probably in his mind the mistletoe, but it may quite well have meant the gift of growth in field and fold. The tree was perhaps cut down and burned; the oxen may have been incarnations of a god of vegetation, as the tree also may have been. We need not here repeat the meaning which has been given to the ritual,688 but it may be added that if this meaning is {206} correct, the rite probably took place at the time of the Midsummer festival, a festival of growth and fertility. Mistletoe is still gathered on Midsummer eve and used as an antidote to poisons or for the cure of wounds. Its Druidic name is still preserved in Celtic speech in words signifying "all-healer," while it is also called sùgh an daraich, "sap of the oak," and Druidh lus, "Druid's weed."689

Pliny describes other Celtic herbs of grace. Selago was culled without use of iron after a sacrifice of bread and wine—probably to the spirit of the plant. The person gathering it wore a white robe, and went with unshod feet after washing them. According to the Druids, Selago preserved one from accident, and its smoke when burned healed maladies of the eye.690 Samolus was placed in drinking troughs as a remedy against disease in cattle. It was culled by a person fasting, with the left hand; it must be wholly uprooted, and the gatherer must not look behind him.691 Vervain was gathered at sunrise after a sacrifice to the earth as an expiation—perhaps because its surface was about to be disturbed. When it was rubbed on the body all wishes were gratified; it dispelled fevers and other maladies; it was an antidote against serpents; and it conciliated hearts. A branch of the dried herb used to asperge a banquet-hall made the guests more convivial692

The ritual used in gathering these plants—silence, various tabus, ritual purity, sacrifice—is found wherever plants are culled whose virtue lies in this that they are possessed by a spirit. Other plants are still used as charms by modern Celtic peasants, and, in some cases, the ritual of gathering {207} them resembles that described by Pliny.693 In Irish sagas plants have magical powers. "Fairy herbs" placed in a bath restored beauty to women bathing therein.694 During the Táin Cúchulainn's wounds were healed with "balsams and healing herbs of fairy potency," and Diancecht used similar herbs to restore the dead at the battle of Mag-tured.695

Footnote 659:(return)

Sacaze, Inscr. des Pyren. 255; Hirschfeld, Sitzungsberichte (Berlin, 1896), 448.

Footnote 660:(return)

CIL vi. 46; CIR 1654, 1683.

Footnote 661:(return)

D'Arbois, Les Celtes, 52.

Footnote 662:(return)

Lucan, Phar. Usener's ed., 32; Orosius, v. 16. 6; Dio Cass. lxii. 6.

Footnote 663:(return)

Pliny, xvi. 44. The Scholiast on Lucan says that the Druids divined with acorns (Usener, 33).

Footnote 664:(return)

Max. Tyr. Diss. viii. 8; Stokes, RC i. 259.

Footnote 665:(return)

Le Braz, ii. 18.

Footnote 666:(return)

Mr. Chadwick (Jour. Anth. Inst. xxx. 26) connects this high god with thunder, and regards the Celtic Zeus (Taranis, in his opinion) as a thunder-god. The oak was associated with this god because his worshippers dwelt under oaks.

Footnote 667:(return)

Helbig, Die Italiker in der Poebene, 16 f.

Footnote 668:(return)

Mannhardt, Baumkultus; Frazer, Golden Bough2 iii. 198.

Footnote 669:(return)

Frazer, loc. cit.

Footnote 670:(return)

Evans, Arch. Rev. i. 327 f.

Footnote 671:(return)

Joyce, SH i. 236.

Footnote 672:(return)

O'Curry, MC i. 213.

Footnote 673:(return)

LL 199b; Rennes Dindsenchas, RC xv. 420.

Footnote 674:(return)

RC xv. 455, xvi. 279; Hennessey, Chron. Scot. 76.

Footnote 675:(return)

Keating, 556; Joyce, PN i. 499.

Footnote 676:(return)

Wood-Martin, ii. 159.

Footnote 677:(return)

D'Arbois, Les Celtes, 51; Jullian, 41.

Footnote 678:(return)

Cook, Folk-Lore, xvii. 60.

Footnote 679:(return)

See Sébillot, i. 293; Le Braz, i. 259; Folk-Lore Journal, v. 218; Folk-Lore Record, 1882.

Footnote 680:(return)

Val. Probus, Comm. in Georgica, ii. 84.

Footnote 681:(return)

Miss Hull, 53; O'Ourry, MS. Mat. 465. Writing tablets, made from each of the trees when they were cut down, sprang together and could not be separated.

Footnote 682:(return)

Stat. Account, iii. 27; Moore, 151; Sébillot, i. 262, 270.

Footnote 683:(return)

Dom Martin, i. 124; Vita S. Eligii, ii. 16.

Footnote 684:(return)

Acta Sanct. (Bolland.), July 31; Sulp. Sever. Vita S. Mart. 457.

Footnote 685:(return)

Grimm, Teut. Myth. 76; Maury, 13, 299. The story of beautiful women found in trees may be connected with the custom of placing images in trees, or with the belief that a goddess might be seen emerging from the tree in which she dwelt.

Footnote 686:(return)

De la Tour, Atlas des Monnaies Gaul, 260, 286; Reinach, Catal. Sommaire, 29.

Footnote 687:(return)

Pliny, HN xvi. 44.

Footnote 688:(return)

See p. 162, supra.

Footnote 689:(return)

See Cameron, Gaelic Names of Plants, 45. In Gregoire de Rostren, Dict. françois-celt. 1732, mistletoe is translated by dour-dero, "oak-water," and is said to be good for several evils.

Footnote 690:(return)

Pliny, xxiv. 11.

Footnote 691:(return)

Ibid.

Footnote 692:(return)

Ibid. xxv. 9.

Footnote 693:(return)

See Carmichael, Carmina Gadelica; De Nore, Coutumes ... des Provinces de France, 150 f.; Sauvé, RC vi. 67, CM ix. 331.

Footnote 694:(return)

O'Grady, ii. 126.

Footnote 695:(return)

Miss Hull, 172; see p. 77, supra.

TREE AND PLANT WORSHIP